New Episode Every Tuesday and Thursday


  • How to Get Preamp Saturation for Electric Guitar Tones
    How to Get Preamp Saturation for Electric Guitar Tones
  • What are the side effects for angling a ribbon mic for guitar tone?
    What are the side effects for angling a ribbon mic for guitar tone?
  • Three Ways to Set Up a Room Mic Using Polar Patterns
    Three Ways to Set Up a Room Mic Using Polar Patterns
  • How to Deal with Loud HiHat Cymbals
    How to Deal with Loud HiHat Cymbals
  • Should You Use a Patch Bay for Your Preamps?
    Should You Use a Patch Bay for Your Preamps?
  • 3 of my Favorite New Tricks for the Creative Recording Studio
    3 of my Favorite New Tricks for the Creative Recording Studio
  • Finding Unique Sounds Through Aggressive Tone Shaping
    Finding Unique Sounds Through Aggressive Tone Shaping
  • Ribbon Mic Shootout
    Ribbon Mic Shootout
  • Snare Drum Muffling – One Extra Step
    Snare Drum Muffling – One Extra Step
  • Spectratone Speaker
    Spectratone Speaker
  • Which Polar Pattern is Best for Drum Overheads
    Which Polar Pattern is Best for Drum Overheads
  • What You Need to Know about a LDC on Electric Guitar
    What You Need to Know about a LDC on Electric Guitar
  • How to Use Polar Patterns on Your Condenser Microphone as a Tone Control
    How to Use Polar Patterns on Your Condenser Microphone as a Tone Control
  • What Makes a Microphone Great?
    What Makes a Microphone Great?
  • Recording Studio Tour – Part 2 – Studio Desk, Rack Gear, Monitors, and Preamps
    Recording Studio Tour – Part 2 – Studio Desk, Rack Gear, Monitors, and Preamps
  • Recording Studio Tour – Part 3 – The Amp Wall
    Recording Studio Tour – Part 3 – The Amp Wall
  • Recording Studio Tour – Part 4 – The Drums
    Recording Studio Tour – Part 4 – The Drums
  • Drum Overheads – The Weathervane Technique
    Drum Overheads – The Weathervane Technique
  • How to Record Live In Studio
    How to Record Live In Studio
  • Elements of a Pop Rock Drum Sound
    Elements of a Pop Rock Drum Sound
  • Mastering the Art of Recording Drums without Samples – Overhead Microphones
    Mastering the Art of Recording Drums without Samples – Overhead Microphones
  • Bass Guitar – 3 Steps to Make it Sit in a Mix
    Bass Guitar – 3 Steps to Make it Sit in a Mix
  • How to Mix Super Sweet Break Downs To Make Your Recordings Pop
    How to Mix Super Sweet Break Downs To Make Your Recordings Pop
  • A Completely New Way to Build a Sub Kick Microphone
    A Completely New Way to Build a Sub Kick Microphone
  • The Drum Recording Hack that Everyone Forgets to Try
    The Drum Recording Hack that Everyone Forgets to Try
  • How Does the Speaker Affect the Guitar Tone
    How Does the Speaker Affect the Guitar Tone
  • Guitar Amp Recording – A Minimalist Approach for a Huge Sound
    Guitar Amp Recording – A Minimalist Approach for a Huge Sound
  • Why You Should Not Fix It In the Mix
    Why You Should Not Fix It In the Mix
  • 3 Things that Cause Bad Recordings
    3 Things that Cause Bad Recordings
  • Drum Bus and Routing – Mixing Drums Part 6
    Drum Bus and Routing – Mixing Drums Part 6
  • How to Avoid Mix Confusion
    How to Avoid Mix Confusion
  • Thoughts on Talking Shop and Making Art (Off Topic Episode)
    Thoughts on Talking Shop and Making Art (Off Topic Episode)
  • How I Built My Snare Reverb Chamber
    How I Built My Snare Reverb Chamber
  • How to Get a Big Room Sound Out of Small Spaces
    How to Get a Big Room Sound Out of Small Spaces
  • Drum Mixing Part 5 – Snare Drum
    Drum Mixing Part 5 – Snare Drum
  • Mixing Part 4 – Drum Gating
    Mixing Part 4 – Drum Gating
  • Mixing Drums Part 3 – EQ
    Mixing Drums Part 3 – EQ
  • Mixing Drums Part 1 – Overview and Intro
    Mixing Drums Part 1 – Overview and Intro
  • Mixing Drums Part 2 – Drum Compression
    Mixing Drums Part 2 – Drum Compression
  • Turn the Volume Down and Make Better Recordings – 3 Hacks
    Turn the Volume Down and Make Better Recordings – 3 Hacks
  • My Secret Weapons of Recording and Mixing
    My Secret Weapons of Recording and Mixing
  • How to Mix a Live Recording to Sound Like Studio Quality
    How to Mix a Live Recording to Sound Like Studio Quality
  • Everything You Need To Know About Recording Acoustic Guitar
    Everything You Need To Know About Recording Acoustic Guitar
  • How to Place Drum Room Microphones
    How to Place Drum Room Microphones
  • How to Place Your Close Mics on Drums
    How to Place Your Close Mics on Drums
  • Do You Really Need a Reamp Box to Reamp Guitar?
    Do You Really Need a Reamp Box to Reamp Guitar?
  • Mastering the Art of Recording Drums: Phasing and Polarity
    Mastering the Art of Recording Drums: Phasing and Polarity
  • How to Alter the Sound of a Cymbal with the Overhead Microphone
    How to Alter the Sound of a Cymbal with the Overhead Microphone
  • Recording Vocal without Headphones to Get Amazing Takes
    Recording Vocal without Headphones to Get Amazing Takes
  • Glyn Johns Method – How to Avoid the One Fault that No One Talks About
    Glyn Johns Method – How to Avoid the One Fault that No One Talks About
  • How to Re-amp Snare Drum (This is Not Sampling)
    How to Re-amp Snare Drum (This is Not Sampling)
  • How to Record a Stereo Sound with MS Recording Technique
    How to Record a Stereo Sound with MS Recording Technique
  • How I Made my Sound Panels for $20 Each
    How I Made my Sound Panels for $20 Each
  • Reamp Your Guitar Tracks
    Reamp Your Guitar Tracks
  • How to Buy Microphones for Your Recording Studio
    How to Buy Microphones for Your Recording Studio
  • Recording Drums Without Sampling: Five Hacks Every Engineer Should Know
    Recording Drums Without Sampling: Five Hacks Every Engineer Should Know
  • Five Ways to Modify Your Own SM57
    Five Ways to Modify Your Own SM57
  • Why You Should Set Up a Reverb Chamber
    Why You Should Set Up a Reverb Chamber
  • Three Ways to Set Up Drum Overheads
    Three Ways to Set Up Drum Overheads
  • How to Organize a Recording Session
    How to Organize a Recording Session
  • How to Affect the Sound of Your Recording with a Recording Method
    How to Affect the Sound of Your Recording with a Recording Method
  • How Your Recording Method Might Be Hurting You
    How Your Recording Method Might Be Hurting You
  • How to Glue Drum Tracks Together with Fewer Microphones
    How to Glue Drum Tracks Together with Fewer Microphones
  • How to Use Room Reverb Effectively
    How to Use Room Reverb Effectively
  • Starting a Recording Studio
    Starting a Recording Studio
  • Dialing In Guitar Tones
    Dialing In Guitar Tones
  • A Single Microphone Drum Sound that Sounds Amazingly Good
    A Single Microphone Drum Sound that Sounds Amazingly Good
  • Vocal Reverb: Roll Your Own Effects
    Vocal Reverb: Roll Your Own Effects
  • Recording Junk Percussion
    Recording Junk Percussion
  • The Three Bad Habits of Guitar Recording
    The Three Bad Habits of Guitar Recording
  • Why I Never Use a Vocal Booth
    Why I Never Use a Vocal Booth